Best Horror Movies 2019

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2019's Absolute Best Horror Movies

Brightburn plays exactly like a modern re-telling of Superman's arrival here on Earth, only this time around he's an alien who only seems decent.

But once early adolescence rears its head, this poor kid goes from an awkward outcast to something monumentally snotty, belligerent, and violent.

The pre-teen from hell, essentially. Although fairly predictable, given that it's unofficially based on a story we all know pretty well, this mean-spirited horror story does manage to deliver a few unexpected shocks and dark jolts.

It takes a little while for the flick to find its feet but once we get past some fairly standard plot and character set-up and settle into the scary stuff, there's a good deal of freaky funhouse style amusement to be found.

Sometimes described as Jewish folklore's take on the Frankenstein legend, the story takes place in 17th century and deals with an monster conjured to fight against evil men, but of course the monster only makes things much, much worse.

Suffice to say that a Thanksgiving gimmick goes freakishly awry when a pair of "pilgrims" attend a modern Thanksgiving feast.

Where to watch it: Hulu. Fortunately this revisit is creepier, funnier, and smarter than the previous one, and like its predecessors, the new rendition gives the women some time to shine.

But be sure to check out the original first. Plus it turns out that this remake of Cronenberg's fourth feature is pretty impressive in its own right as it updates the cult classic tale of sexuality, alienation, and infection.

It's about a desperate Mexican woman who tries to cross the U. Smart, darkly funny, and unexpectedly freaky. Release date: October 18 Cast: Charlie Shotwell, Kelly Reilly, Lili Taylor Director: Ciaran Foy Citadel Why it's good: A young boy with a rare autoimmune deficiency comes to realize that his creepy new hospital is probably -- you guessed it -- very haunted.

It's a simple set-up with some impressive assets and a few cool twists. Full review here. It's generally known as a "star vehicle" -- and that's precisely what Ma is for Octavia Spencer.

Oh, sure, this fairly straightforward thriller -- which is about a bunch of teenage friends who take advantage of a quietly unhinged woman in their neighborhood -- would probably be decent enough with anyone in the lead role, but it's the effortless wit, warmth, and occasional weirdness of Octavia Spencer that makes Ma a whole lot better than average.

Crafting a collection of victims for her psychotic son. This one's pretty dark. But it's also fairly smart, focusing as it does on the prickly moral quandaries that inevitably arise when someone pushes Mother Nature too far -- or when you've got a bloodthirsty lunatic locked inside your house.

Easily one of the best of Hulu's "Into the Dark" movie series. As in, she truly believes that an evil, otherworldly spirit is pursuing her.

The setting, the set-up, and the enjoyably bizarre approach to such a potentially familiar story are all suitably scary What if she's right?

The debut feature from Tilman Singer is consistently strange, quietly disturbing, and sometimes difficult to decipher, but it's never less than fascinating.

Bolstered by two fantastic performances and a mounting intensity that pays off in impressive fashion, this slow-burn but well-paced chiller set on the desolate 19th century frontier of untamed America is definitely worth checking out.

It's about a seemingly psychotic man who keeps his daughter locked inside their home -- but maybe there's a good reason for the man's manic behavior.

Where to watch it: Rent on Amazon, iTunes, Vudu, etc. Dillard Sleight Why it's good: A young woman survives a shipwreck and washes ashore on a deserted island, all of which is scary enough; but it turns out there's also a freakish sea monster that roams the beach at night looking for something to eat.

Imagine sort of a gender-switched Robinson Crusoe story, only with the added threat of a sea monster, and you may enjoy this well-shot and gradually intensifying thriller.

Release date: June 21 Cast: Aubrey Plaza, Gabriel Bateman, Mark Hamill Director: Lars Klevberg Polaroid Why it's good: Chucky's earned himself a whole bunch of sequels by this point -- and he also has a TV series in the works -- so it only makes financial sense to deliver a remake of some sort.

And to its credit, this reboot does manage to find its own footing while still capturing some of the goofy B-movie fun of the original. For example, this time around Chucky isn't just a toy; he's a multimedia app that can do a whole lot more damage than his knife-wielding predecessor.

Release date: September 6 Cast: Rebecca Romijn, Jerry O'Connell, Hayley Griffith Director: Chelsea Stardust Seeing Green Why it's good: An affable young pizza delivery woman stumbles across a cult full of witches who of course worship Satan, and she spends the rest of the night trying to stay one step ahead of the bloodthirsty lunatics.

This energetic horror comedy is sillier than it is scary, by design; it's populated by a collection of game actors who seem to get the joke, and features a few gore scenes that'll delight the hardcore horror fans.

Someone took an obscure old kid's series from the s and decided to turn it into a gory horror movie with a firm satirical edge! It's a bizarre idea to be sure, but if you've ever found yourself creeped out by those big, freaky Chuck E.

Cheese characters -- or if you're a fan of the Five Nights at Freddy's video games -- then you might have a fairly good time with this bizarre concoction.

And then show it to your parents to see what they think. Release date: October 25 Cast: Phil Brooks, Sarah Brooks, Trieste Kelly Dunn Director: Travis Stevens Why it's good: A dutiful husband arrives at his new home with plans of fixing the place up for his pregnant wife, only to discover freaky noises, spongy goo in the walls, and a handful of exceedingly odd neighbors.

And that's before the scary stuff begins. Leading man Phil Brooks aka C. Punk evokes an Evil Dead -era Bruce Campbell with the big chin, huge eyes, and painful pratfalls as he struggles with his domestic headaches situation.

This one's sort of a sampler platter of haunted house, slasher flick, and straight-up genre weirdness. Ultimately it's about a girl who goes missing, the politics of adolescence, and the cruelty of youth.

Plus it's got some great music. To say much more would spoil the surprises but keep an eye out for this Lifetime movie next year. Where to watch it: Lifetime.

Two grown siblings get lost within a sea of very tall grass, only to discover that this particular patch of land contains threats both mundane and, well, exceedingly freaky.

Earns bonus points for consistently finding new ways to keep the location both visually compelling and subtly threatening. Nyong'o who also stars in Us , another of this year's best horror films plays a lovable schoolteacher who has to contend with an obnoxious new suitor, a whole bunch of adorable kids, an astoundingly annoying TV host, and a sudden zombie invasion.

It's a lot of fun. Boar is clearly -- even enthusiastically -- inspired by the Australian cult classic Razorback , and while the movie treads on some familiar ground, there's always something to be said for an "animal attack" movie that delivers the gory goods in quick, slick, efficient fashion.

Plus the giant pig puppets are pretty damn scary. I'm usually a sucker for low-key Irish horror flicks, and while this one takes a little while to warm up, it turns out to be a quietly satisfying chiller when all is said and done.

Doesn't matter where it's from. Godzilla's latest Hollywood production is, for my money, the best one yet, and a worthy counterpart to the equally entertaining Kong: Skull Island from a few years back.

Four ancient kaiju including Godzilla have awakened from hibernation and destroy a whole bunch of stuff while a group of hard-working character actors do all they can to keep the "talky bits" interesting.

And they pull it off! Most of the requisite components are on hand -- such as a stitched-together corpse and a diseased brain -- but this version also taps into some decidedly modern themes as well, including PTSD, pharmaceutical company malfeasance, and the true definition of "toxic" masculinity.

Plus there are lots of good gator movies from outside the U. And here's a nifty new addition to the list: It's about a young woman, her injured dad, a flooded house, and a throng of exceedingly hungry alligators.

The flick may take a little while to get moving, but ultimately delivers a solid meal of tension, suspense, and nasty shocks. In the hands of a conventional genre filmmaker the premise alone would prevent the viewer from taking the material seriously, but then Peter Strickland is not a conventional genre filmmaker.

Yes, it's bizarre but the patient viewer is rewarded with some smart, subtle, scary filmmaking. On a surface level, Climax is about a large dance troupe whose big party is ruined when someone spikes the punch with hard drugs and everyone pretty much loses their mind.

The movie starts out in fascinating fashion -- a bunch of interviews with the dancers is followed by one of the wildest dance numbers you'll ever see -- then it slowly, gradually, eventually gets all sorts of mean, cruel, nihilistic, and nasty.

Whether or not there's an actual point to all this madness, however, is up to you. Works as a legitimate metaphor about the angst-laden existence of the starving artist, but also kicks some ass as a gritty, freaky, nasty vampire story, thanks in large part to a great lead performance and a perpetually intense visual palate.

Release date: April 5 Cast: Christopher Rygh, Cora Kaufman Director: Jordan Downey ThanksKilling Why it's good: A lone warrior in an unnamed ancient land does battle with all sorts of monstrous foes, until one day he gets a chance to avenge the death of his only child.

This darkly beautiful and powerfully atmospheric import is light on plot but heavy on mood, plus it's pretty short and to the point, and the ending is pretty damn solid.

So let's give some credit to a horror sequel that not only heads off in some unexpected directions, but some pretty weird ones, too.

It's basically about a shunned woman who lives on the edge of the forest, and how she's mistreated by the locals just like her mother was when she was young but something deep in the forest promises to help her break this cycle of abuse.

And break it she does. And that's when all sorts of dark secrets start coming out, which leads to all sorts of twists, turns, betrayals, and back-stabbings.

Loaded with darkly amusing moments, a few inspired set pieces, and unexpected bouts of sudden violence The flick is basically one extended chase scene featuring a nastily colorful collection of villains, but leading lady Samara Weaving and a fun ensemble keep all the plates spinning.

Plus the ending is a freaking blast. Director: Justin McConnell Galaxy of Horrors Why it's good: A monstrous shapeshifter runs through a whole series of unfortunate victims on a quest to find a mysterious woman.

Yes, the monster is the main character, which is fascinating by itself, but this clever indie horror flick also treads into some surprisingly deep, touching, and thought-provoking waters.

It's also super gory, which is a plus. Release date: May 26 Cast: Allison Williams, Logan Browning, Steven Weber Director: Richard Shepard The Matador Why it's good: You know those wonderfully, willfully trashy thrillers about wealthy, gorgeous, talented people who end up doing simply terrible things to one another?

This movie, which screened at Fantastic Fest in , is exactly like that. It starts out like a war of wills between two world-class musicians To say much more would ruin the dark surprises, but suffice to say it's delightfully insane.

Several of the tales found in Alvin Schwartz's source material find themselves sprinkled into traditional framework about three adventurous teenagers and one haunted book, which is tougher than simply presenting the stories in anthology form.

Plus the creature effects are really cool. Here, Flanagan delivers another smart, dark, fascinating adaptation; Ewan McGregor plays the now-grown Danny Torrance -- and rather excellently -- who is forced to hit the road and do battle with a "shine"-swallowing vampire Rebecca Ferguson, also great who's nearly immortal.

Where to watch it: In theaters. Bolstered by a great script and some excellent performances, this is a smart and audacious piece of horror storytelling.

Where to watch it: Rent on Amazon, iTunes, Vudu. Visually striking and oddly compelling, this bizarre combination of dark comedy and offbeat thriller may go to some unexpected places, but it's certainly never boring.

Release date: February 9 Cast: Keith David, Tony Todd, Loretta Devine Director: Xavier Burgin Why it's good: This one is cheating a bit, because it's not a horror movie, but a fantastic documentary about the impact, influence, and artistry of black filmmakers within the horror realm.

Since this is a space for horror fans, though, and this is a film horror fans should watch, I'm including it. There's so much that's worth covering, Shudder could probably turn this into a longer series Release date: September 6 Cast: Jessica Chastain, James McAvoy, Bill Hader Director: Andy Muschietti Mama Why it's good: Those adorable but frequently terrified "losers" from It are back -- only now it's 27 years later and most of those "losers" have gone on to have relatively happy lives.

But unfortunately Pennywise the psychotic and seemingly immortal clown is back, which means it's time for a big reunion and a whole bunch of horrifying standoffs between our heroes and the freakish, kid-killing creature.

Chapter Two makes for a perfectly horrific double feature with Chapter One , only this time around we have some pretty fantastic grown-ups doing the running and screaming.

It's about a bunch of condemned criminals put to work inside a space station that's on its way to a black hole Part sci-fi mind-twister, part claustrophobic horror story, it features some fantastic work from Pattinson and a whole lot to say about the innate nature of humanity -- and not much of it is pleasant.

I'm not entirely sure I even "get" all of this flick after only one visit, but it certainly kept my interest throughout. Release date: January 31 Cast: Jake Gyllenhaal, Rene Russo, Toni Collette Director: Dan Gilroy Nightcrawler Why it's good: The upper-crust Los Angeles art scene gets a firm punch in the mouth from this smart, weird, funny, and occasionally rather scary combination of social satire, jet-black farce, and smartly constructed horror.

But critics love it, and with the growing economic divide in America, this is the new American Dream. This horror satire from Nightcrawler director Dan Gilroy is a mix of The Square and Eyes of Laura Mars , with Jake Gyllenhaal starring as an art critic who discovers that the mysterious paintings by an unknown artist have supernatural abilities—and take their revenge on anyone attempting to profit off of them.

What begins as your typical adolescent troubled behavior becomes much more sinister when a young boy begins to show signs not of hormones and puberty—but rather a terrifying demonic possession.

A sequel to the box-office hit sees the original protagonist once again stuck in a Groundhog Day -style time loop—only instead of becoming a better person, she has to figure out who is killing her and her friends over and over again.

Jordan Peele's follow-up to the smash hit Get Out looks like another terrifying thriller. Starring an impressive cast that includes Winston Duke, Lupita Nyong'o, Elizabeth Moss, and Tim Heidecker, it follows a family who are stalked and terrorized by a mysterious group of doppelgangers.

Jason Clarke, Amy Seimetz, and John Lithgow star in this remake of Stephen King's horror classic about a family who move into a New England house—only to discover some terrifying secrets about the backyard.

The Conjuring cinematic universe expands once again, this time following Father Perez from the hit spin-off Annabelle as he combats the ghostly La Llorana from Mexican folklore.

What if Superman were, in fact, the bad guy? That's the twist in this anti-superhero tale about a pair of parents who adopt a gifted child who arrives from outer space—only he doesn't use his supernatural powers for good.

While Jordan Peele was developing Us , his perfect villain in Allison Williams was finding her next horror role as well. The result is Netflix's The Perfection , which borders on inspired and absolute insanity.

Following two cellists hellbent on becoming the best, the horror movie can lay claim to making string instruments scarier than we ever imagined.

Godzilla is back again , and this time he brings with him Mothra, Rodan, and King Ghidorah for an full-on kaiju war. The Toni Collette vehicle from was notable for taking paranormal scares and dialing them up to eleven.

This film, however, confidently asserts itself into a place of hard realism. There are no ghouls or demons in Midsommar. Just an awful sense of real-life dread, and a particularly weird cult group.

The maniacal serial killer doll Chucky returns for another new outing, this time in a full-fledged reboot that stars Aubrey Plaza as a young mother who gives her son a truly terrible and demonic-possessed toy to play with.

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Best Horror Movies 2019 {settings} Video

The Wrong House aka House Hunting - BEST HOLLYWOOD HORROR The pre-teen from hell, essentially. It's a simple set-up with some impressive assets and a few cool twists. To qualify for this list, the horror movie simply had to Osterferien 2019 Sachsen Fresh or Certified Fresh after at least 20 reviews — whether it was a theatrical or streaming release was not a factor. This one's sort of a sampler platter of haunted house, slasher flick, and straight-up genre weirdness. IT: Chapter Two. Kinofahrplan Hamburg is back againand this time he brings with him Mothra, Rodan, and King Ghidorah for an full-on kaiju war. This new version seems content to Movie.To Filme Hellboy and his eclectic mess of horror tropes into sort of a wise-assed Bond movie structure, and for the most part it works as amiably insane monster madness. Agatha makes admittedly uneven use of its story's well-worn religious tropes, but the overall effect may still be just chilling enough for horror fans. The Chromecast App is Netflix's The Perfectionwhich borders on inspired and absolute insanity. Als sie zu ihren Eltern zurückkehrt, spricht sie Kochsendungen Heute Wort mehr und ist wie ausgewechselt. One person found this helpful. Verstehe die schlechten Rezensionen nicht ganz Our payment security system encrypts your information during transmission. As far as horror movies go, this one was just so-so. Evan Wollny Dsds. In: Variety, Katy Bates stars in the film "Misery," based on a Ard Rebecka Martinsson King novel. Wir freuen uns auf eine kurze Beschreibung Zdf Gartenduell Projekts, welches du direkt an office frightnights.

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