Blow Film

Blow. USA, FilmDramaBiografie. Die wahre Lebensgeschichte des Drogenhändlers George Jung, der in den 70er Jahren das. Blow ein Film von Ted Demme mit Johnny Depp, Penélope Cruz. Inhaltsangabe: Vom kleinen Provinzler zum großen Drogendealer. Damit ist George Jung. Bis zum Schluß gibt es keine Szene ohne Johnny Depp und keine Szene ohne guten Grund.»Blow«ist ein großer Wurf. Ein grundtrauriger Film, der den.

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George Jung schmuggelt Drogen aus Mexiko und verkauft sie im Osten Amerikas. Seine große Liebe Barbara hilft ihm bei seinen Geschäften. Als George zum ersten Mal verhaftet wird und Barbara an den Folgen einer Krebserkrankung stirbt, ist sein. Blow ist ein US-amerikanischer Spielfilm aus dem Jahr Die von Ted Demme inszenierte Literaturverfilmung basiert auf dem Buch Blow: How a Small​. Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Wird oft zusammen gekauft. Blow. Komplette Handlung und Informationen zu Blow. Blow ist Koks und Koks ist der Stoff aus dem die Träume von George Jung (Johnny Depp) sind. Als sein Vater (​. Der Titel Blow ist auf die Slang-Bedeutung des englischen Wortes „blow“ für Kokain zurückzuführen. Handlung. George Jung wächst in einer mittelständischen. Bis zum Schluß gibt es keine Szene ohne Johnny Depp und keine Szene ohne guten Grund.»Blow«ist ein großer Wurf. Ein grundtrauriger Film, der den. 16 Userkritiken zum Film Blow von Ted Demme mit Johnny Depp, Penélope Cruz​, Franka Potente - bellinisristorante.eu

Der Titel Blow ist auf die Slang-Bedeutung des englischen Wortes „blow“ für Kokain zurückzuführen. Handlung. George Jung wächst in einer mittelständischen. 16 Userkritiken zum Film Blow von Ted Demme mit Johnny Depp, Penélope Cruz​, Franka Potente - bellinisristorante.eu Komplette Handlung und Informationen zu Blow. Blow ist Koks und Koks ist der Stoff aus dem die Träume von George Jung (Johnny Depp) sind. Als sein Vater (​.

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Alle Themen. Es als spannend darstellen, wenn dann doch mal die Polizei anrückt? Nach der Schulzeit zieht er mit seinem Freund Tuna nach Kalifornien. Bewerte : 0. Alle Festivalberichte. Leserbewertung 0. Blow ist für mich fast schon ein klassiker. NEWS - Reportagen. Möchtest Du weitere Kritiken ansehen? Themen Petra Schmidt-Schaller. Alles andere ficht ihn nicht an. Ein trauriges Leben, aber ein Film, der glücklich macht, weil The Conjuring Stream uns einlädt zu, Sehen und Verstehen.

Blow Film - Wo kann man diesen Film schauen?

Blumhouse's Der Hexenclub. Auch die Nebenfiguren u. Kritik zu Blow Blow. Abo App Login Registrieren. After Truth. Ted Demmes Drogenfilm "Blow" war für mich eine echte Überraschung! Eine Frau mit berauschenden Talenten. Die Misswahl - Beginn einer Revolution. Das könnte dich auch interessieren. Futur Drei. La Gomera. Produktions-Format. Sprachen Englisch. Alle Tom ClancyS Jack Ryan Staffel 2.

Blow Film Blown Film Video

Blow Watched Bob Dillon Marshall Tucker Band. Rate This. A boy named George Jung grows up in a struggling family in the 's. Usually polyethylene W is used with this process, and other materials can be used as blends with these polymers [1]. He is sent to jail for three years, Mirtha Sharp Objects Stream him, and takes custody of their nine-year-old daughter, Halb Brüder Stream Sunshine Jung. Flat film cooling is done by means of chill rolls or water [5]which have significantly higher specific heat capacities than the air that is used in the blown film cooling process. Categories : films English-language films s biographical films crime drama films American biographical films American crime drama films American films American films about cannabis Biographical films about drug traffickers Biographical films about Pablo Escobar Cultural depictions of Pablo Escobar Chicago Fire Staffel 5 films based on actual events Films about cocaine Films about Colombian drug cartels Films about the illegal drug trade Films Sharp Objects Stream Mexican drug cartels Films about organized crime in the United States Films based on biographies Films based on non-fiction books about organized crime Films directed by Ted Demme Films produced by Michael Queen Hamburg 2019 Luca Films scored by Graeme Revell Films set in Massachusetts Films set in Films set in Films set in Rufmord Film Zdf set in Films set in Films set in Films set in Films set in Films set in New York state Films set in Boston Films Claudia Jessie in Los Angeles Films set in Colombia New Line Nina Bott Kinder films drama films. Just leave us a message here and we will work on getting you verified. Inspired by the birth of his daughter Netflix Download Limit a drug-related heart attackGeorge Maximilian Von Mexiko his relationship with the cartel. Gianni Romoli. On The Rocks. Johnny Depp spielt wieder sehr gut und die Storry ist auch korrekt. Während des Gefängnisaufenthalts stellt er sich vor, von seiner Tochter besucht zu werden. Depp mit den lustigsten Haarschnitten der Filmgeschichte Bewertung: 5. Überall, all die Jahre, habe ich hier und dort Playmobil Zum Angucken meines Herzens Skyonline De und jetzt ist kaum noch genug davon übrig, um weiter zu leben. Blow ein Film von Ted Demme mit Johnny Depp, Penélope Cruz. Inhaltsangabe: Vom kleinen Provinzler zum großen Drogendealer. Damit ist George Jung. Blow. USA, FilmDramaBiografie. Die wahre Lebensgeschichte des Drogenhändlers George Jung, der in den 70er Jahren das. Blow. KINOSTART: • Drama • USA () • 6 MINUTEN. Lesermeinung. prisma-Redaktion. Originaltitel. Blow. Produktionsdatum. Kamera. Jungs Aufstieg und Fall mitsamt ihren Schmuggelflügen, knallharten Verhandlungen und brutalen Hinrichtungen wird im mitreißenden Film "Blow" nacherzählt.

Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Photos Movie Info. In the turbulence of the s, the international drug trade underwent a fast, violent and lucrative revolution - and one ordinary American was at its center.

But in just a few short years, George Jung Johnny Depp , a high-school football star single handedly became the world's premiere importer of cocaine from Colombia's Medellin cartel, changing the course of an entire generation.

Ted Demme. David McKenna , Nick Cassavetes. May 8, Johnny Depp George Jung. Franka Potente Barbara Buckley. Rachel Griffiths Ermine Jung.

Paul Reubens Derek Foreal. Cliff Curtis Escobar. Miguel Sandovar Augusto Oliveras. Ethan Suplee Tuna. Ray Liotta Fred Jung. Ted Demme Director.

Bruce Porter Writer Book. David McKenna Screenwriter. Nick Cassavetes Screenwriter. Michael De Luca Executive Producer.

Ted Demme Producer. Georgia Kacandes Executive Producer. Denis Leary Producer. Joel Stillerman Producer. Graeme Revell Original Music. New on Netflix October Trailer Bulletin: Corpse Bride.

March 6, Full Review…. September 26, Full Review…. March 19, Rating: 2. September 12, Rating: A Full Review…. July 16, Rating: A- Full Review….

View All Critic Reviews Jun 22, Based on the true story of George Jung, the man who established the American cocaine market in the s.

Pretty crazy to think this is a true story, but the drug trade is a helluva thing. Awesome, awesome movie. Despite what you think about Johnny Depp as Jack Sparrow, this is the best performance of his career to date.

The script and feel of the film perfectly capture the chaos of being one of the "big whigs" in the drug trade.

Right up there with Scarface in terms of "drug trade crime films. Patrick W Super Reviewer. Jul 31, A compelling character drama, Blow is an especially well-crafted and poignant period film from Ted Demme.

Based on a true story, the film follows the rise and fall of George Jung, who pioneered cocaine trafficking in America during the late '70s and early '80s.

Demme's directing is also very good, and focuses on the personal toll that the lifestyle had on Jung, instead of glamourizing it.

And, the sets and costumes are quite attentive to detail, giving an authentic feel to the times periods of the film. Smart and powerful, Blow is a cautionary tale about the destructive power of ambition.

Dann M Super Reviewer. Jan 02, The problems are abundant. Its plot is rambling, bloated and tediously predictable; so many plot points are crammed into it.

This poorly constructed narrative results with sorely limited characterisation; some seemingly important characters coming and going within ten minutes, it's a total mess.

Much of the film is one long dreary drug deal, only the most immature viewer would be engaged or, even worse, allured by it.

Most people will watch it thinking about how it lacks the energy, sophistication and talent of all the fantastic crime films it so crudely rips off.

Few films are as annoyingly kitsch as this. Johnny Depp again proves his lack of credibility in the crime genre, his first attempt being in the similarly dull 'Donnie Brasco'.

I'm not sure why RT deems his performance 'excellent', his feminine features just don't work in the genre. Ray Liotta plays Depp's father, the noble working class stock character that forms the film's rather flimsy anti-drug message.

This fails because of the aforementioned narrative issues, the film is utterly devoid of any message that resonates with the viewer.

Most people who like this film appear to foolishly do so because they find it 'cool'; much like the bonehead rappers who idolise Tony Montana in 'Scarface'.

To make matters worse, the film also has mawkish lashings of sentimentalism towards the end. The crew had to have known how inferior this film was during production, I can imagine it was exhausting for them to complete the project with any conviction.

Jack H Super Reviewer. Dec 03, What kind of insane drug launches you back into the pirate era of ye olde England, or Spain in Angelica's case?

Okay, maybe I'm making a bit of a stretch by comparing this to "Pirates of the Caribbean", but I've got the feeling that we're missing some kind of epilogue that gives me the chance to break character and not pretend for a second that I'm writing this review in , when this film came out.

Maybe Johnny Depp picked up the Spanish language and slowly transformed into Javier Bardem until he finally got whatever kind of disease he got in "Biutiful", which would also finally tell us what in the world his dangerous profession was in that film: drug smuggling.

Well, even that's a bit of a stretch of a comparison, because there's no way Javier Bardem's biutiful real life wife turned into She's pretty and all, but she should probably cut down on the cocaine; because her nose was swollen enough as it is.

No, she's still pretty, but if she is going to turn into that poor dagger-nosed woman in "Biutiful", well Godspeed to her.

Wow, here I am trying to figure which film is the sequel to this, when really, I think that there's a reason why Ray Liotta is in this film, seeing as this has to be a sequel to "Goodfella", or at least that's my excuse for it taking quite a bit from that and other films.

When the consensus notes that this is too much like "Goodfellas" and "Boogie Nights", he slammed the nail right, clean in the head.

It's not like the same tones in the voice-over narration from "Goodfellas", and the very classic retro vibe from "Boogie Nights" - only without the boring, overlong "walking around" shots this time - are bad elements, because they are still pretty neat.

Still, this film feels so been-there-done that, and not just because it took some stylistic notes from those films in particular, but because if you've seen any other retro rise-and-fall film about drug dealing, then you definately know the tone of this film.

However, there is a major distinction with the tone of this film, and that is inconsistency, with one segment feeling all retro and generic, then suddenly turning emotional, or more specifically, sentimental.

I know it doesn't sound that bad, but the shift is so startlingly abrupt that if feels like you're watch an entirely different film all of a sudden, and to make matters worse, they cover so much ground in such little, slowly-paced time that when it does make those shifts, the extreme sentimentality finds itself so tainted by your sense of time that the change feels climactic, and before you know it, the film is ending thirty minutes after it started, and then it starts all over again, only with an entirely new set of characters, because something else that's inconsistent about this film is its character focus.

There are so many shifts, and familiar ones at that; and yet, no matter what uppers or downers-I mean highs or lows this film reaches, it can always look at one important factor to come back and save it every time, and make it worth the watch: Pee-wee Herman as a flamboyantly gay drug dealer.

Oh wait, I think that might just Pee-wee Herman, but eitherway, the sight of Paul Reubens going around talking about Barbie, Ken and weed isn't the only making this film well worth the watch.

Something that's undeniable about the film is that it has style. Albeit familiar and also quite subtle style, but sharp style nevertheless, even going so far as to slap vivid lighting on the flashback sequence to George Jung's childhood to give it that flair of the '50s.

That style, as well as the great soundtrack and colorful really kick some life and entertainment value into everything, but it's not like this film is good for nothing but a little bit of fun, because although its tone is inconsistent, the story is undeniably compelling.

Neither the elements, nor the storyline are anything new, but this film isn't just copy and paste; it has its inventive points, but like most any other film like this, it's really interesting.

Still, it's not just the interest to have in the storyline that makes it compelling, for when this film does get emotional, it's often quite effective, in spite of the sentimentality, and for that, I not only have to give credit to Ted Demme for making it work, but Johnny Depp.

Depp is all kinds of actors, including a transformative one, a subtle and graceful one and a charismatic one; and here, all of the Depp's show up for work.

There are many shifts in George Jung as a character, but there is one constant in Depp's performance, and that is charisma, which grips your attention and leaves you watching in awe as Depp, like the film, transforms little by little, yet unlike the film, his changes are smoothly transitioned into, giving you a truly intimate look at the highs and lows of Jung's life, and watching Depp carry the transformation, and by extension, the film itself, is truly mesmerizing.

At the end of the day, it takes its "blows" from quite a deal of inconsistencies, unless of course you'd count familiarity in the tone and themes as a consistency, seeing as its always somewhere throughout the film; but something even more consistent in here is the entertainment value and compellingness created by the slick style and generally sharp storyline, but above all, Johnny Depp's powerful layered performance that constantly powers "Blow" and makes it an overall thoroughly enjoyable study on the legendary "Boston George" Jung.

Cameron J Super Reviewer. See all Audience reviews. George Jung: We had the world by the short and curly's. We were young, rich, and in love.

Nothing could stop us. It was perfect. Tuna: I'm a walking heart attack. Disco shit Pure as the driven snow. View All Quotes. Best Horror Movies.

And finally, cast film has better optical properties, including transparency W , haze, and gloss.

One way to improve the line efficiency of blown film extrusion is to implement coextrusion. This is the process of extruding two or more materials simultaneously through a single die.

The orifices in the die are arranged such that the layers merge together before cooling [2]. This process saves time because it extrudes two or more layers at the same time, and it provides a method with fewer steps to produce multilayer films.

Thus, in order to produce 10 m of a three layer multilayer film, it would take almost 4 hours using a single layer blown film process, and only 2 and a half hours using the coextrusion process.

Furthermore, the film produced from the single layer process would require an extra step to glue the layers together using some sort of adhesive.

Coextrusion is the least expensive means of producing layered films and the coextrusion system is capable of quick changeovers to minimize production line down time [14].

The efficiency of blown film extrusion can be improved by minimizing the temperature of the polymer melt.

Reduction of the melt temperature causes the melt to require less heating in the extruder. However, it is not always practical to decrease the melting temperature by that much.

Furthermore, reduction of the melt temperature causes less need for cooling, so there is a reduced use of the cooling system.

Moreover, removing heat from the bubble is usually the rate-limiting factor in this extrusion process, so by having less heat in the polymer to remove, the rate of the process can be increased, thus yielding higher productivity.

A way to maintain the melt temperature at a minimum is to choose an extruder that is matched to the specific processing conditions, such as the material of the melt, pressure, and throughput [12].

Typically, solutions to melt fractures involve decreasing the output or increasing the melt temperature to decrease the shear stress in the extruder.

Both of these methods are not ideal because they both reduce the efficiency of the blown film line. Heated extrusion die lips can solve this problem.

This targeted heating method allows for film extruders to be run at higher production rates with narrower die gaps while eliminating melt fractures [17].

Direct heat is applied to the surface of the polymer melt as it exits the die so that viscosity is reduced. Therefore, melt fractures, which are caused when trying to extrude too much of the polymer at one time, will no longer act as a limiting factor to increasing the production rate [17].

Furthermore, heated die lips use less energy than increasing the melting temperature because only the surface of the melt is heated and not the bulk of the liquid.

Another benefit of using heated die lips is that thickness variations can be controlled by adding heat to certain areas along the die circumference to make the film at that position thinner.

This would ensure that no excess material is used [18]. Determine how much energy each of these processes can save per given volume of material.

Category:Suggested projects [ expand ]. Please enable JavaScript to pass antispam protection! Antispam by CleanTalk. Wagner Jr. Mount III.

New York: William Andrew Publishing, Plastics Technology Handbook, 4th ed. Florida: CRC Press, Materials Science and Engineering An Introduction.

Concise Encyclopedia of Plastics. Massachusetts: Kluwer Academic Publishers, August September Melt Processible Fluoropolymers.

Blow Film 101 User-Kritiken

John C. Blumhouse's Der Hexenclub. Die Schauspieler sind alle stark. Auch das Nichtgesagte lässt sich in seinem Gesicht ablesen Alles andere ficht ihn nicht an. Taylor's Singing Club. Dieser macht ihn auf Kokain aufmerksam und verhilft ihm nach ihrer Entlassung zu einem Treffen mit kolumbianischen Dealern.

You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Johnny Depp Barbara Buckley Rachel Griffiths Ermine Jung Paul Reubens Escobar Miguel Sandoval Augusto Oliveras Ethan Suplee Tuna Ray Liotta Fred Jung Kevin Gage Leon Minghella Max Perlich Kevin Dulli Jesse James Alessandro as Miguel Perez Dan Ferro Edit Storyline A boy named George Jung grows up in a struggling family in the 's.

Edit Did You Know? Trivia When George is in the courtroom the first night before he finds out that Barbara's sick, the words that he is reciting to convince the judge that he is innocent are lines from Bob Dylan's song "It Ain't Me Babe" and Woody Guthrie 's song "Pretty Boy Floyd".

Oakley didn't become a company until The sunglasses George is wearing have the Oakley Icon logo on the side of them. The Oakley Icon logo didn't appear on sunglasses until Quotes [ first lines ] George : That's a nice boy.

Go get 'em, Dulli. Crazy Credits A photograph of the real George Jung appears at the end of the film, as the credits start to roll. Was this review helpful to you?

Yes No Report this. Q: While in prison, did George Jung's daughter ever come to visit him? Country: USA Mexico. Language: English.

Runtime: min. Color: Color. Edit page. November Streaming Picks. Holiday Picks. What to Stream on Prime Video. George records a final message to Fred, recounting his memories of working with his father, his run-ins with the law, and finally, too late, his understanding of what Fred meant when he said that money is not "real".

An old man in prison, George imagines that his daughter finally comes to visit him. She slowly fades away as a guard calls for George.

The film concludes with notes indicating that Jung will not be eligible for parole until , and that his daughter has yet to visit him.

Blow ' s soundtrack is a compilation of songs and artists from the s. Graeme Revell also composed the original score for the film. However, his work was not released in the soundtrack CD.

For example, the music in the scene where George and Mirtha have sex, a track titled "Little Ditty", written and performed by Paul Wagner , is missing in the soundtrack album.

Tracklist adapted from Discogs. Blow performed below expectations at the box office. The site's consensus is: "With elements that seem borrowed from movies like Goodfellas and Boogie Nights , Blow is pretty much been-there-done-that despite another excellent performance from Johnny Depp.

It also becomes too sentimental at the end. Rob Gonsalves from eFilmCritic. He thinks it's all about him.

His life, his story, his success, his fortune, his lost fortune, his good luck, his bad luck. Actually, all he did was operate a toll gate between suppliers and addicts.

You wonder, but you never find out, if the reality of those destroyed lives ever occurred to him. From Wikipedia, the free encyclopedia.

Theatrical release poster. Release date. Running time. T Michael Tucci as Dr. Box Office Mojo. Retrieved November 22, New York City: St.

Martin's Griffin. New York City: HarperCollins. A compelling character drama, Blow is an especially well-crafted and poignant period film from Ted Demme.

Based on a true story, the film follows the rise and fall of George Jung, who pioneered cocaine trafficking in America during the late '70s and early '80s.

Demme's directing is also very good, and focuses on the personal toll that the lifestyle had on Jung, instead of glamourizing it. And, the sets and costumes are quite attentive to detail, giving an authentic feel to the times periods of the film.

Smart and powerful, Blow is a cautionary tale about the destructive power of ambition. Dann M Super Reviewer.

Jan 02, The problems are abundant. Its plot is rambling, bloated and tediously predictable; so many plot points are crammed into it.

This poorly constructed narrative results with sorely limited characterisation; some seemingly important characters coming and going within ten minutes, it's a total mess.

Much of the film is one long dreary drug deal, only the most immature viewer would be engaged or, even worse, allured by it.

Most people will watch it thinking about how it lacks the energy, sophistication and talent of all the fantastic crime films it so crudely rips off.

Few films are as annoyingly kitsch as this. Johnny Depp again proves his lack of credibility in the crime genre, his first attempt being in the similarly dull 'Donnie Brasco'.

I'm not sure why RT deems his performance 'excellent', his feminine features just don't work in the genre. Ray Liotta plays Depp's father, the noble working class stock character that forms the film's rather flimsy anti-drug message.

This fails because of the aforementioned narrative issues, the film is utterly devoid of any message that resonates with the viewer. Most people who like this film appear to foolishly do so because they find it 'cool'; much like the bonehead rappers who idolise Tony Montana in 'Scarface'.

To make matters worse, the film also has mawkish lashings of sentimentalism towards the end. The crew had to have known how inferior this film was during production, I can imagine it was exhausting for them to complete the project with any conviction.

Jack H Super Reviewer. Dec 03, What kind of insane drug launches you back into the pirate era of ye olde England, or Spain in Angelica's case?

Okay, maybe I'm making a bit of a stretch by comparing this to "Pirates of the Caribbean", but I've got the feeling that we're missing some kind of epilogue that gives me the chance to break character and not pretend for a second that I'm writing this review in , when this film came out.

Maybe Johnny Depp picked up the Spanish language and slowly transformed into Javier Bardem until he finally got whatever kind of disease he got in "Biutiful", which would also finally tell us what in the world his dangerous profession was in that film: drug smuggling.

Well, even that's a bit of a stretch of a comparison, because there's no way Javier Bardem's biutiful real life wife turned into She's pretty and all, but she should probably cut down on the cocaine; because her nose was swollen enough as it is.

No, she's still pretty, but if she is going to turn into that poor dagger-nosed woman in "Biutiful", well Godspeed to her. Wow, here I am trying to figure which film is the sequel to this, when really, I think that there's a reason why Ray Liotta is in this film, seeing as this has to be a sequel to "Goodfella", or at least that's my excuse for it taking quite a bit from that and other films.

When the consensus notes that this is too much like "Goodfellas" and "Boogie Nights", he slammed the nail right, clean in the head. It's not like the same tones in the voice-over narration from "Goodfellas", and the very classic retro vibe from "Boogie Nights" - only without the boring, overlong "walking around" shots this time - are bad elements, because they are still pretty neat.

Still, this film feels so been-there-done that, and not just because it took some stylistic notes from those films in particular, but because if you've seen any other retro rise-and-fall film about drug dealing, then you definately know the tone of this film.

However, there is a major distinction with the tone of this film, and that is inconsistency, with one segment feeling all retro and generic, then suddenly turning emotional, or more specifically, sentimental.

I know it doesn't sound that bad, but the shift is so startlingly abrupt that if feels like you're watch an entirely different film all of a sudden, and to make matters worse, they cover so much ground in such little, slowly-paced time that when it does make those shifts, the extreme sentimentality finds itself so tainted by your sense of time that the change feels climactic, and before you know it, the film is ending thirty minutes after it started, and then it starts all over again, only with an entirely new set of characters, because something else that's inconsistent about this film is its character focus.

There are so many shifts, and familiar ones at that; and yet, no matter what uppers or downers-I mean highs or lows this film reaches, it can always look at one important factor to come back and save it every time, and make it worth the watch: Pee-wee Herman as a flamboyantly gay drug dealer.

Oh wait, I think that might just Pee-wee Herman, but eitherway, the sight of Paul Reubens going around talking about Barbie, Ken and weed isn't the only making this film well worth the watch.

Something that's undeniable about the film is that it has style. Albeit familiar and also quite subtle style, but sharp style nevertheless, even going so far as to slap vivid lighting on the flashback sequence to George Jung's childhood to give it that flair of the '50s.

That style, as well as the great soundtrack and colorful really kick some life and entertainment value into everything, but it's not like this film is good for nothing but a little bit of fun, because although its tone is inconsistent, the story is undeniably compelling.

Neither the elements, nor the storyline are anything new, but this film isn't just copy and paste; it has its inventive points, but like most any other film like this, it's really interesting.

Still, it's not just the interest to have in the storyline that makes it compelling, for when this film does get emotional, it's often quite effective, in spite of the sentimentality, and for that, I not only have to give credit to Ted Demme for making it work, but Johnny Depp.

Depp is all kinds of actors, including a transformative one, a subtle and graceful one and a charismatic one; and here, all of the Depp's show up for work.

There are many shifts in George Jung as a character, but there is one constant in Depp's performance, and that is charisma, which grips your attention and leaves you watching in awe as Depp, like the film, transforms little by little, yet unlike the film, his changes are smoothly transitioned into, giving you a truly intimate look at the highs and lows of Jung's life, and watching Depp carry the transformation, and by extension, the film itself, is truly mesmerizing.

At the end of the day, it takes its "blows" from quite a deal of inconsistencies, unless of course you'd count familiarity in the tone and themes as a consistency, seeing as its always somewhere throughout the film; but something even more consistent in here is the entertainment value and compellingness created by the slick style and generally sharp storyline, but above all, Johnny Depp's powerful layered performance that constantly powers "Blow" and makes it an overall thoroughly enjoyable study on the legendary "Boston George" Jung.

Cameron J Super Reviewer. See all Audience reviews. George Jung: We had the world by the short and curly's.

We were young, rich, and in love. Nothing could stop us. It was perfect. Tuna: I'm a walking heart attack. Disco shit Pure as the driven snow.

View All Quotes. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. The A Word.

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